Skip to the content
shaun belcher

thames valley texas

  • The Bio
  • PUBLICATIONS
  • REVIEWS
  • A. E. Coppard and Me
  • The Horseshoe Press
  • The Bio
  • PUBLICATIONS
  • REVIEWS
  • A. E. Coppard and Me
  • The Horseshoe Press

Organ Grinder Reading

August 5, 2022 / shaun belcher / 0 Comments

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on LinkedIn (Opens in new window)
  • Click to share on WhatsApp (Opens in new window)
  • Click to share on Pinterest (Opens in new window)
  • Click to email a link to a friend (Opens in new window)
  • Click to print (Opens in new window)

Like this:

Like Loading...

poetry, politics, readings

Previous Post
My Back Pages
Next Post
Firebirds – A Suite for The End of Nature

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Follow the tracks….

  • Facebook
  • Twitter

Shaun Belcher was born Oxford, England in 1959 and brought up on a down-land farm before moving to a council estate in the small town of Didcot in 1966 just as England won the world cup..

He studied fine art at Hornsey College of Art, London from 1979–81
where he sat under a tree with Adrian Mitchell.

Began writing poetry in the mid 1980s and subsequently has been published
in a number of small magazines and a poem 'The Ice Horses' was used as the title of the Second Shore Poets Anthology in 1996.(Scottish Cultural Press).

He now lives in Nottingham, England after two years in Edinburgh studying folk culture and several years in the city of expiring dreams working as a minion at the University of Oxford.

He is currently enjoying retirement from 20 years of teaching and hopes to write something on a regular basis again. He has been involved in various literary projects including delivering creative writing workshops in Nottingham prison for the ‘Inside Out’ project.

He supports Arsenal football club.

Favourite colours therefore red and green like his politics.

We have not won the world cup again since 1966 and Shaun Belcher is not as famous as Simon Armitage although his songs are better.

Tweets by sdbwriter

Subscribe to Shaun Belcher writes..via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,160 other subscribers.

Pages

  • A. E. Coppard and Me
  • CREDO
  • The Horseshoe Press
  • The Bio
  • REVIEWS
  • PUBLICATIONS
    • Grass Clouds Collected 2010-2022
    • The Cloud Factory – Selected poems free pdf
    • Burning Books – New Poems 2016- 2017 (HPP No.1)
    • The Drifting Village – Poems 2001-2011(HPP No. 1)
    • Last Farmer – Salt Publication (Selected 1992-2010)
    • Farm-Hand’s Radio – 1996-2000
    • The Ice Horses – 1996
    • LANDMINE: Poems 1992-1996
    • Natura Morte – Dead Nature – Pamphlet for Friends of the Earth – 1992
    • Barn Songs – Collected Poems 1990-1991
    • Diesel on Gravel – Poems 1986-1989
    • Towns on Shallow Hills – Horseshoe Press Pamphlet no.1 1990
    • The Tithe Machine – Early Poems 1981-1985
  • Short Stories
  • Songwriting

Recent Posts

  • Thames Valley Texas September 26, 2023
  • Levelling Down – Diversity and Poetry September 15, 2023
  • 2nd Anniversary Reading at Open Book Tuesday October 3rd – better than Goose Fair September 14, 2023
  • GRASS CLOUDS – COLLECTED POEMS 2002-2022 September 14, 2023
  • To review or not review that is the question.. September 14, 2023
  • Open Book reading Tuesday 3rd October: Organ Grinder September 8, 2023
  • No Substitute: New poems… June 26, 2023
  • Coppard returns… May 1, 2023
  • Desert Dust : Firebirds January 24, 2023
  • Firebirds: The New Country January 24, 2023
  • Firebirds – A Suite for The End of Nature January 24, 2023
  • Organ Grinder Reading August 5, 2022
  • My Back Pages August 2, 2022
  • THE REVOLUTION WILL NOT BE TELEVISED July 31, 2022
  • GRASS CLOUDS : 20 years on the poetry bench. July 14, 2022
  • GRASS CLOUDS: Twenty Years on the Poetry Bench. July 1, 2022
  • The Function of Criticism February 7, 2022
  • Addenda after Auden January 1, 2022
  • My Back Pages: Thunder Circling July 27, 2021
  • My Back Pages: Hawker Siddley Argosy July 16, 2021

Links

  • Open Book Readings
  • Shaun Belcher Art
  • Shaun Belcher Songwriter

Writers

  • Andrew Taylor
  • Giles Goodland
  • Graham Caveney
  • John Harvey
  • Jonathan Taylor
  • Neil Fulwood
  • Rory Waterman
  • Rosie Garner

Blog Stats

  • 17,606 hits

Archives

  • September 2023
  • June 2023
  • May 2023
  • January 2023
  • August 2022
  • July 2022
  • February 2022
  • January 2022
  • July 2021
  • January 2021
  • December 2020
  • September 2019
  • August 2019
  • May 2019
  • January 2019
  • July 2018
  • June 2018
  • May 2018
  • February 2018
  • November 2017
  • October 2017
  • September 2017
  • May 2017
  • April 2017
  • February 2017
  • June 2016
  • March 2016
  • February 2016
  • January 2016
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • July 2014
  • February 2014
  • November 2012
  • June 2012
  • September 2011
  • August 2011
  • March 2011
  • January 2011
  • August 2010
  • August 2009
  • November 2008
  • May 2008
  • January 2008
  • August 2007

Categories

  • 45s
  • American and Canadian Studies
  • barns and stars
  • books
  • Castle Ruins III
  • commission
  • community arts
  • creative writing
  • creative writing M.A.
  • crime fiction
  • daily shorts
  • Diesel on Gravel
  • Diversity
  • Eco-writing
  • experimental
  • faction
  • fiction
  • Film
  • Firebirds
  • graphic novel
  • Green Party
  • horror
  • Horseshoe Press
  • Horseshoe Press Pamphlet
  • hypertext
  • Landmine
  • last farmer
  • letterpress
  • Lost Nottingham
  • magazines
  • multimedia
  • music
  • My Back Pages
  • New Poems
  • Nottingham Contemporary
  • Nottingham Poetry Festival
  • nottingham writers studio
  • novel
  • novels
  • Open Book
  • oral literature
  • Performance Poetry
  • photography
  • poem a day
  • poetry
  • poetry magazines
  • poetry readings
  • poetry research
  • poets
  • politics
  • populism
  • poundland bargains
  • Poundland Sonnets
  • prose poetry
  • psychogeography
  • readings
  • research
  • salt modern voices
  • salt publishing
  • Second Hand Poems
  • Self-Publishing
  • sexism
  • short stories
  • songwriting
  • Southern Gothic
  • Southern Writers USA
  • style
  • Substitute
  • The Dark Horses
  • the drifting village
  • thriller writing
  • Track Nottingham
  • Track Oxford
  • Words Festival
  • working class poetry
  • Writing and Images
  • writing for TV

© 2023 shaun belcher

Theme by Anders Norén — Up ↑

%d bloggers like this: