Having self-published the latest pamphlet in an intentionally ongoing series ( I aim to publish a ’round-up’Â pamphlet twice a year from now on) here some author’s notes on the poems.
The latest is Â ‘Burning Books’ Horseshoe Press Pamphlet No. 2 and I thought I’d try and describe what influenced the poems and what I think I doing which invariably different to what the reader imputes.
Burning Books and Buying Time ..education, morals, politics..everything can be bought these days. I am literally buying time at present using up savings before the next employment…..if there is a next one…
The Dance of Debt
The dance of debt been going on since time immemorial but never has it been such a mantra from the ruling classes..
Things are not getting any better no matter how many J.K.Rowling novels we burn….
Iggy Pop in a sideboard
True story on Â Foundation Art at Oxford Polytechnic I suddenly had enough money to buy my thirdÂ ever vinyl album. The first was an MFP Oliver the musical soundtrack. The second Â was Alice Cooper’s Bilion Dollar babies then this. The copy I purchased was so warped it kept skidding when played on the Dansette tweed record player kept in my parent’s sideboard. I returned it to Woolworths and traded it for a flat copy of XTC’s White Music. I heard just enough of The Passenger to ‘get it’ and the details about Berlin are fantasy thoughts prompted by a documentary and footage shown after Bowie’s death.
Just for fun completely random stuff which has overtones of suicide airline pilots from the news owing something to Prynne and Oliver but not sure what. I never been a strident modernist in that vain and frankly get bored with poetry that needs decyphering or pretends to be something it isn’t. The factionalism of contemporary poetry means that if you go down that road you will have a loyal and small audience and not much else. It a good route for academics. A love of Bob Cobbing helps..the poetic equivalent of trainspotting.
London Calling (45)
Start of a series of Vinyl 45 related poems. Short and lyrical …that’s it with overtones of political comment just like the original songs.
Working on a Building of love (45)
See above any link to Corbyn is purely coincidental and anyway I ditched Labour for the Greens.
A Poundland sonnet
Both these ‘sonnets’ written pre-election. Angry squibs. Didn’t help the shits won anyway.
A Wreckless scheme
A retort to the great God Armitage’s dull work in the field. Armitage is like New Labour very successfull and very dull.
Edwin Smith â€“ Catching Light
A commission, a PAID commission no less, for R.I.B.A. Now online at RIBA website too. Loved it as gave free rein to my retro-technology obsessions. Each verse dedicated to a particular camera Smith used at different times in his life. Lead to some interesting places which will explore further like Zeppelins over Wembley, Â 1930s Camden, Orwell and Fascism.
Matilda in the snow
The description of the down-land cottage all true. My dad was a farm labourer in early 1960s. We were so poor he bred rabbits to sell. The memory of Matilda comes from school history lessons. Matilda fled Oxford and was given refuge at Wallingford (my school’s location) Castle. Her action changed history and ensured that the Plantagenet line was in power later. No Matilda no QEII..which despite all the 90th Birthday celebrations might haveÂ been a good thing..in fact how about no Royals at all? Personal note I fled Oxford too but on a London bound overcrowded National Express coach. Not quite as romantic…
The selling of England by the Pound was most brutal in the destruction of William Morris’s original company. Rover was the biggest employer when I a child now it the University. They let it rust….
Postcard to Okinawa
I hate acronyms especially nasty little ones that belittle the working class which most of them seem to be funnily enough…
The Oxford Professor of Poverty
Dedicated to Simon Armitage who has hoovered up everything I could ever aspire too with some of the dullest poetry I ever read.
Success in Britain is never offending anybody…and toeing the line forever…..New Labour through and through. His first book is where it ended for me…
Self-explanatory. Whilst writing I referred to Edwin Muir.
I was also was reading Cesar Vallejo in great translations published by Richard Price ( a proper poet) at Southfields.
Awfully Middle Class
Again says it on the tin. A classist rant and I aint apologising. If you are going to publish boring self-referential holiday snaps about reading Dante on the beach then be prepared for a slagging..naming no names..
Self-explanatory but I lost count of the number of times privileged i.e. wealthy middle class people have told me that life is what you make it, you make your own luck, you only have yourself to blame etc etc. BULLSHIT..this country is totally controlled and run by money and the class system has become MORE not less embedded in my lifetime. I would not have had a decent education in post Thatcher Britain because that is how the Middle Class voted and would like it to stay…if you poor you don’t get in the door…
SHORT STORY: THE LEASH
About the only thing I got out of my brief tenure on a creative writing course at NTU. Heavily influenced by David Belbin’s particularly rigorous copy-editing. He would make a great editor. It a parody of a Scottish Working Class realist story from mid 1980s. Not bad for a first attempt. More James Kelman than Irvine Welsh thank god …
The full story and a ‘contextual document’ about influences we had to submit alongside it are available on the blog here:
I hope this might help…