SHAUN BELCHER

A working class hero is something to be

Category: American and Canadian Studies

Memoirs – Ford and Morrison- Dealing with Death

 

I have just read these two linked memoirs. In discussing his memoir of his parents Ford specifically mentions the influence of his friend’s earlier book.

Both are very strong works although maybe because of its particularly English subject and atmosphere the Morrison just shades it for me especially as my own parents both died of cancer.

In describing that Morrison is accurate and heartfelt. Indeed so poignant is it that it made me look back at the impact of those events in my own life ( Morrison ends up in therapy).

He also discusses the impact on his own writing and if I am honest the death of my mother in 2012 after my father’s passing in 2004 left similar holes….

It only now after another period of near-death experiences that I willing to also admit that it can have devastating psychological impact in all sorts of ways including creatively.

Maybe that is why I turned to these books recently to see how other writers dealt with things.

 

Southern Writers at NC 1: Flannery O’Connor’s Visual Imagination

The self-portrait and the state official version..

 

http://www.nottinghamcontemporary.org/event/study-sessions-women-writers-us-south

The first session in Nottingham Contemporary’s season of Southern Writers organised by Graham Caveney was excellent and not only was it a pleasure listening to Richard H. King speak about Southern Writing but there was the added pleasure of meeting the crime novelist John Harvey and his daughter too (John was a American Studies student on M.A. back in the day as they say).

I did not know Flannery O’Connor’s work although I had purchased her Complete Short Stories many years ago..it had languished on my very full and very unread shelves.

The session was a revelation and I have since been working my way through her ‘Mystery and Manners: Occasional Prose’ collection which is wonderful. I always knew that one of my favourite writers Raymond Carver had referenced her as a major influence but it only now I seeing why. Her observations on ‘Creative Writing’ courses and their effectiveness made me laugh out loud (see her lecture ‘The Nature and Aim of Fiction’) ….she speaks of what she knows having been an early Iowa Writers Workshop student where she met John Crowe Ransom and Robert Penn Warren.

Here her major works in contemporary covers which shows how she was an illustrator’s dream commission… which leads on to yet another revelation..she was herself a budding cartoonist whilst at College!

 

The Signature below combines her initials into the form of a bird on her lino-cuts (her chosen medium).

 

 

Flannery O’Connor, Cartoonist

Source: http://infox.gcsu.edu/content/georgia-college-publishes-collected-cartoons-flannery-o%E2%80%99connor

Source: https://www.publishersweekly.com/pw/by-topic/industry-news/comics/article/51455-how-flannery-o-connor-s-early-cartoons-influenced-her-later-writing.html

Here some examples and what interesting is there is some stylistic similarity with another Catholic writer/artist Eric Gill possibly somebody she familiar with through Catholic journals. There also a sense of W Heath Robinson too….who possibly she saw as a child..

My favourite photo is this one of her on the veranda at her family farm in Andalusia with one of her beloved chickens ( a interesting connection with fellow Southern writer Alice Walker)

There an interesting blog published by the Museum that the farm has now become:

http://andalusiafarm.blogspot.co.uk/

Source: http://www.emory.edu/EMORY_MAGAZINE/issues/2015/winter/features/oconnor.html

Source Wikipedia! https://en.wikipedia.org/wiki/Flannery_O%27Connor

When she was six, living in a house still standing (now preserved as the Flannery O’Connor Childhood Home), she experienced her first brush with celebrity status. The Pathé News people filmed “Little Mary O’Connor” with her trained chicken[3] and showed the film around the country. She said: “When I was six I had a chicken that walked backward and was in the Pathé News. I was in it too with the chicken. I was just there to assist the chicken but it was the high point in my life. Everything since has been an anticlimax.”[4]

What I have responded most strongly to in her writing so far is the confluence of regional identity..humour and this particularly visuality which I shown above.

John Huston’s film of Wise Blood seems embedded with Flannery’s visuality which may be why it seems so sharply drawn from the ‘directions’ in the text. We ‘see’ her world very sharply through her pen in an almost Dickensian sense…I have not read any criticism linking the two but I sure she would have been familiar with Dickens especially ‘American Notes’.

Here the trailer of the 1979 film….welcome to Milledgeville 🙂

 

Finally a modern comic version of ‘A Good Man’ that brings things full circle – image copyright Philip Rex Huddlestone

I will post my reaction to the second session ‘Alice Walker’ by Sharon Monteith now at Nottingham Trent University in due course.

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