Category: books (Page 3 of 3)

Daily Short: John Romano – King of the Wild Frontier

wristwatch

Available online here:
http://www.vice.com/en_uk/read/king-of-the-wild-frontier-0000346-v21n6

I recently picked up the Fiction issue of Vice magazine. http://www.vice.com/magazine/21/6

v21n6-cover-72

Recommend these annual issues all of which are available online.

They have a tendency to lean toward the Lad/Ladette market but contain some interesting works. Especially from the film/fiction crossover area. This year’s issue also contains Nabokov’s unpublished Lolita screenplay and an essential Robert McKee interview…interesting stuff.

Amongst the more than interesting is this short story with photographs by Martin Parr ( allegedly… I cannot see the Pigs Head being in his style maybe more a late editorial decision to ‘Horse’s Head the story which unnecessary).

John Romano is a scriptwriter for TV (Hill Street Blues to his credit) and film and has a resume that includes Lincoln Lawyer (with Michael Connolly) and is an ex English Professor (Columbia)  with one academic tome on Charles Dickens and Realism to his name. So no slouch and boy can he write…

Originally from Newark N.J. he lives and breathes the classic New Jersey Crime Family story and the wealth of detail is such in this short that it hard to tell if memoir or fiction or a rich mixture of both. Nothing is forced in the telling it glides as smoothly as the battered lime-green Buick Riviera which literally delivers the body-punch of the story and then its knock-out blow. I can say no more without giving the game away but please read this story. I cannot find reference to any more fiction online or otherwise and I suspect J.R. has a novel up his sleeve somewhere. This is brilliant writing in anybody’s book and would be a more worthy winner of the BBC short prize than the whole shortlist. He is presently working on a film for TV on the American Taliban about John Walker LIndh that Steve Earle sung about on Jerusalem…should be some film.

This is classic american writing at its best. There is not a word out of place and small working-class folk tales assume a menacing import only to be turned literally upside down. If I ever write something worthwhile it would have to go some to equal this.

Romano’s daughter is also a novelist/painter…..so it’s a family affair.

This is how ya do it.

For a fascinating insight into the literary qualities at work in American TV go here:  http://web.mit.edu/comm-forum/forums/art_of_prime_time.html

http://videolectures.net/mitworld_romano_ptt/

Creative Writing reading list…


Thursday was the induction day at Clifton. Rory Waterman, David Belbin, Georgina Lock and Andrew Taylor introduced themselves to the students and the course structure was laid out. I was impressed with the layout and I have quite a lot of work to do…deadlines are good as I would default to laziness if did not have them!

We got a sense of the interests of the tutors and there was some joking about the similarities and differences especially in ‘poetics’. I immediately had a sense that a lot had happened in poetry since my extended ‘absence’ especially in academic poetry so when given a reading list and an empty library (all the students off being ‘welcomed’)I set about rounding up a few books and also finding out a couple I had heard about but not purchased like the Ludwig and Fietz ‘Non-Metropolitan perspectives’. I also came across the Hazel Smith (Australian) book which seemed to do a good job of exploring all the new’territories’ whether I wished to visit or not.

Finally I spent so much time delving through the shelves (ex-librarian syndrome) that I completely forgot to go to the social and missed the wine…and the social…oh well there plenty of events coming up to meet people.

Here what I snaffled up and hopefully I will have got through the ‘creative writing’ histories by first Poetry session on 5th October. Oh the How Novelists Work (Maura Dooley ed.) is my own copy rest in Library I also came away with the Eisner book as found a Graphic Novel section:-)

bookseisner

Starting with short stories…

shorties

Decided to concentrate on short stories to start with…my favourite poets Burnside and Carver both write short stories too….some of these I collected 20 years ago…about time I read them! Thanks to Jez Noond for some more recent additions to the que including Grace Paley and Amy Hempel.

Some obvious missing collections here..D.H.Lawrence..Richard Ford, Russell Banks, Steinbeck. This just the paperbacks.

1985 Carver Short Stories……my most important purchase?

carver

Some time in 1985 or 1986 possibly during a very cold winter, as I recall sheets of ice around a phone box on Plymouth Hoe, I purchased a new book in a Plymouth bookshop. This is significant because I very rarely purchase anything at full price having been trained in second-hand shops from art school on. However on this occasion I relented and I wanted the book badly enough to pay full price ( £3.95) which in those days was equivalent to £10 or more now. I cherished the book so much I immediately bought a penguin plastic jacket for it maybe I knew I’d be keeping this book for a long time.

I would have been visiting my sister in Navy barracks in Plymouth and was probably almost broke or scraping along in my library part time post whilst I dreamt of artistic success.

I would probably have been better off listening to the author of these short stories and started writing then but it was not to be. I did write some poetry which kicked around in folders until finally found an outlet in John Harvey’s magazine Slowdancer which..yes you guessed it..I picked up in 1991 in the Poetry Library London because he had a picture of Carver on the cover. The next year I was lucky enough to meet Carver’s widow Tess in the flesh at a Poetry Library reading. She, William Trevor and C.K. Williams were the only people I truly felt were ‘real’ writers that I met then.

Life happens and it happened to me..paintings ended up in storage..a gamble on a new life in Scotland  fell apart and I ended up back in Oxford with the remnants of a poetry career nothing more. Words would have to wait…..and art disappeared completely. I found solace in Americana music and writing about others…as music reviews for magazines and even BBC Radio 2 at one point. It was writing but at one remove. I also continued at a rapidly slowing pace to write Americana songs…at the peak a 100 a year until 1999 it had slowed to a dozen. Some poems seeped out but my heart was not in it. I constantly found references to carver in the songwriters I admired. The fuse was very slowly burning.

So I relocate to Nottingham the drip drip of poems finally stops….and so does the songwriting ..well almost. I find an outlet for the huge backlog of songs in a charity disc in aid of cancer Research as both my parents succumb to the disease. The songs on the record could be described as ‘dirty realist’ or ‘Carveresque’.

Finally and I’d say it was around about 2010 as my mother was diagnosed and finally died….the words stopped. Ironically at the very moment Chris Emery at Salt ‘discovered’ my poems ( well not discovered I sent them to him and he liked them and published them) I ran out of words altogether. My attention was on finishing a M.A. I’d begun and work was demanding ‘art research outcomes at an international level’ which I duly did.

My mother died in 2012 and the Salt book was buried with her. Right then I thought that was it. However things have a way of leaking out…or seeping back into view. My job became more and more ludicrous..or at least my managers did and an opportunity to take a different tack appeared like a patch of blue in grey skies.

I am now embarking on that ‘blue sky thinking’ and now concentrating solely on the word..something I never been afforded the opportunity to do in my entire adult life unless at times of unemployment which generally means depression undermines the apparent opportunity. I am hopeful that something will come of it. The Carver book is symbolic if I cared then I care now. …and writing is a kind of caring…and a craft. I need to practice.

 

Footnote: The cover illustration is by Clifford Harper who I now find out is a ‘Militant Anarchist’ …wonderful how well things fit together!

http://en.wikipedia.org/wiki/Clifford_Harper

My book challenge fail..Faction?

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Firstly it not a collection of short stories DOH….

Well my weekly book challenge failed miserably but I did read one book in the week which a first for me in a long while :-). The chosen book was John Berendt’s ‘Midnight in the Garden of Good and Evil’ a strange choice randomly picked up because I liked the cover in a charity shop!.

It is a rattling good read but the whole ‘factional’ element what most interesting. Like Capote’s ‘In Cold Blood’ Berendt (ex New Yorker editor so no slouch) mixes up fiction and reality and not only did this annoy people at the time as it was presented as ‘non-fiction’ for a Pulitzer prize but it also means that several different ‘modes’ in operation throughout the ‘novel’ or ‘New Journalism’ depending on how you look at it.

Written during mid 1990’s but it has the flavour of the Aids infected late eighties and a lot of the material plays with false and real borders politically and emotionally. It never stated but Berendt himself seems more than interested in the social and political status of both gay men ( the protagonist) and the political ‘solutions’ that white southerners were making with post Civil Rights America. Indeed the analysis of gerrymandering and political corruption does seem to ring true. In that sense it does the job of ‘reportage’ pretty well and reads as a historically accurate tale of its time….maybe.

However the problem is that having been at the New Yorker he also more than aware of the power of good story-telling and he administers many ‘florid’ and deft touches to his canvas……adding ‘Southern Gothic’ texture like Spanish Moss on the trees to his words…

It all dipped in a large amount of treacly descriptive writing….which helped sell the 2.7 million copies no doubt but skewed the threadbare ‘veracity’ of the story he also adds a bit of Dickensian travelogue for good measure…which apparently increased tourism to Savannah. So it is an archly constructed ‘bestseller’ at heart written by someone clever enough to get away with the floridity and containing enough factual detail ( which easily checked online now) to give some creedence to his stories. Where it falls down is the sometimes over embellished characterisation. The Drag Queen ‘Chablis’ exists and is doing well but the dialogue she speaks here reads like an Eddie Murphy comedy skit most of the time…I kept thinking of Trading Places instead of the action. I do not doubt the locations existed but the set pieces are fictional like the parade of dresses out of the nightclub. They just don’t ring true and the ‘straight’ white boyfriend and family again has a ring of point-making about ‘diversity’ than actual truth…at these points the factional problem starts as you lose the suspension of disbelief and start checking facts. If it had been published today it would immediately have been torn apart online….Berendt was lucky he published just before the internet hit home.His next and only so far other book is a ‘straighter’ historical book about an opera house in Venice.

Made into a mediocre film by Clint Eastwood the political point-scoring sometimes wears thin….Nazi flags..really?..more Father Ted than truth again? Who knows obviously there some crazy snakes in Savannah…but were they really as poisonous as this? Whenever something here seems to good to be true it probably is fictional.

It is well worth reading as a snapshot of southern USA life but remember it seen through pink..sorry purple tinted glasses and the Voodoo stuff…..pure Scooby Doo…..now Mr Berendt what did you really get up to whilst living there and why did Oscar Wilde travel all that way…..more questions than answers.

As for faction…hmm jury out…..I shall return to the theme no doubt. Is all journalism a kind of fiction anyway?

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