I sent a submission to a Film Philosophy conference in Amsterdam and have been accepted so have three months to write paper detailed below. This will pull together all the research done as first year of M.A. which was put on hold whilst rejigged M.A. to be fine art and cartoon based (this blog). The previous research is specifically archived here http://www.shaunbelcher.com/rpt and merges into ongoing fine art’Projects’ here http://www.shaunbelcher.com/fineart/
The proposal which has been accepted is as follows:
BEYOND FILM PROPOSAL
Alexander Mannâ€™s â€˜Gnatsâ€™: Early film and photography in rural England as traced through an artistâ€™s sequential narrative and sketchbooks.
Alexander Mann (1853-1908) landscape and genre painter was an early adopter, seek post impressionism, viagra of photography and his sequential narrative in etchings â€˜Gnats and other hindrances to the landscape artistâ€™ of 1884 reveals not only an awareness of photography but hints at a wider filmic narrative.
It is the purpose of this paper to explore this folio work of Alexander Mann alongside his sketchbooks and relate this to the wider discourse around early cinematic and photographic technology, troche artistic modernism, artistic communities and the railway. This will draw on Benjamin, Kirby, Solnit and Schivelbusch in attempting to uncover information from a neglected area of art history i.e. Artistic Modernism in the Thames Valley (England) and the spread of â€˜newâ€™ imaging technology from 1850-1914 through artists to the local community.
The paper will attempt to reveal a correlation between â€˜experimentationâ€™ with â€˜newâ€™ technology in post-impressionism in the English provinces with present day advances in pervasive mobile and digital imaging and its equivalent widening of participation in the processes of image creation.
Keywords: Early photography and cinema, sequential narrative, mobile technology, imaging, landscape and genre painting, etching, provincial modernism.