Category: early film

Gnats Again…..a story revisited.

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I am revisiting a paper originally given at the Film Philosophy conference in Amsterdam in 2013.

 

The full paper is available online at Scribd here:

New PhD development: Art History and Technology

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Stanhope Forbes 'The Quarry Team' Print. 1894

Interesting times as the Chinese philosopher said. I have officially returned to NTU School of Art and Design to teach on Animation and Graphic Design courses ….I applied for a reduction in hours to support a more intense period of PhD application but have been told not possible so have to maintain my 0.5 contract for now. If I get any PhD support from other institutions I may try again in a year’s time for reduced hours.

I am moving back towards trying to obtain a fully funded PhD. I cannot afford full funding and supporting myself but maybe can get part funded and keep teaching?

The PhD ‘path’ I considering will bring together the basic premise of the ‘ANAMNESIA’ project but maybe with more focus on the impact of Railway on arts. For now the ‘Popular Culture’ angle one I looking at most intently.

Here are some preliminary proposals:

 

I am particularly interested in the concept of ‘embedded literature’ and using illustrations and a narrative/travelogue approach in my research in the manner of W.G. Sebald and Patrick Keiller’s work with art and technology and region.

The PhD ‘paths’ I now considering below have developed out of the original Leverhulme Proposal and draws on material researched in my aborted M.A. Multimedia ‘ANAMNESIA’ project but with more focus on the impact of Railway on arts. For now the ‘Popular Culture’ angle one I looking at most intently.

The Leverhulme Proposal available online here:

http://www.scribd.com/doc/249245353/PhD-Levenhulme-Proposal

 

Possible lines of research investigation in this art history and technology area being considered are:

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  1. Rain, Steam, Speed:

Art, Modernism and Technology 1840-1940.

The Railway, Radio and Telegraph in the development of Rural Artistic Communities (Networks) and Small Presses. Focusing on how ‘new technology’ created new artistic forms and communities from Dickens’s Pickwick Papers to The Cockerel Press.

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2.‘Shifting Modes of Narrative’: Investigating illustration and sequential drawing as a response to the ‘new media’ of photography and cinema. 1836 – 1914.

Starting with Dickens illustrators and moving up to ‘Birth of Cinema’. Less regionally focussed.

talbotreading

  1. Drifting Focus 1830 – 1890:
    Kinema, photography, fine art and illustration. An investigation of new media networks in the first possibly’ Transmediale’ railway age.

Focusing on the narrative arts post ‘Railway’ and relating to contemporary definitions of networks and  ‘Transmediale’ new technologies.

Further details available online at my Transmedia Research Blog:

 

Shaun Belcher 10.07.2015

 

 

 

ANAMNESIA: Art, Technology and Modernism in the Thames Valley 1850-1950

Back to where I started..literally…..first thought best thought?

amanesia

This explains where my ‘art research’ has gone…
It not classic ‘design’ art research any more it lies somewhere along the Iain Sinclair/W.G.Sebald/Patrick Keiller line. i.e. A travelogue based exploration of the historic impact of technology on a specific geographical region. I am now working exclusively on this as my ‘written’ output alongside my poetry.
 

I no longer consider myself to be exclusively in the fine art ‘drawing research’ area.

I am now seeking full or part-funding or a receptive institution to help develop this project.

And here my first mention of ANAMNESIA in 2010:

 

Back to the future? Film Research paper accepted Amsterdam!

 

I sent a submission to a Film Philosophy conference in Amsterdam and have been accepted so have three months to write paper detailed below. This will pull together all the research done as first year of M.A. which was put on hold whilst rejigged M.A. to be fine art and cartoon based (this blog). The previous research is specifically archived here http://www.shaunbelcher.com/rpt and merges into ongoing fine art’Projects’ here http://www.shaunbelcher.com/fineart/

The proposal which has been accepted is as follows:
BEYOND FILM PROPOSAL

mann1 mann2

Alexander Mann’s ‘Gnats’: Early film and photography in rural England as traced through an artist’s sequential narrative and sketchbooks.
Alexander Mann (1853-1908) landscape and genre painter was an early adopter, seek post impressionism, viagra of photography and his sequential narrative in etchings ‘Gnats and other hindrances to the landscape artist’ of 1884 reveals not only an awareness of photography but hints at a wider filmic narrative.
It is the purpose of this paper to explore this folio work of Alexander Mann alongside his sketchbooks and relate this to the wider discourse around early cinematic and photographic technology, troche artistic modernism, artistic communities and the railway. This will draw on Benjamin, Kirby, Solnit and Schivelbusch in attempting to uncover information from a neglected area of art history i.e. Artistic Modernism in the Thames Valley (England) and the spread of ‘new’ imaging technology from 1850-1914 through artists to the local community.
The paper will attempt to reveal a correlation between ‘experimentation’ with ‘new’ technology in post-impressionism in the English provinces with present day advances in pervasive mobile and digital imaging and its equivalent widening of participation in the processes of image creation.

Keywords: Early photography and cinema, sequential narrative, mobile technology, imaging, landscape and genre painting, etching, provincial modernism.

EYE
www.eyefilm.nl

www.film-philosophy.com

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