TRACK: Oxford

Backwaters and Branchlines

Category: psychogeography

Track: Oxford and Nottingham

A original idea from 2010 reborn only this time poetry led…..

basically two books of poems drawing on local history in two places…

and 2010

The Physical Impossibility of a Creative Practice PhD in the Mind of UK Academia

 

This post is born out of total frustration.

In the past three years since I was awarded an M.A. Fine Art (Distinction and all) I have struggled to make any headway in aligning the content of this blog ( a psycho-geographical investigation of the Middle Thames between 1840-1910 ) and the academic notion of a ‘Practice-Led’ PhD.

Even when I have offered to shower the august institutions in cash I have found myself constantly pushed into traditional historical straight-jackets.

In all probability I could have been offered a Cultural Geography PhD down this route and have been offered two places.

1.Loughborough offered me a place for a dodgy proposal thrown together for a MRL place which frankly absurd.

2. Central Saint Martins have accepted me on to a PhD on Victorian Scrapbooks and Printmaking as long as it avoids the very practice I tried to have accepted (down to 20% practice /80%  textual exegesis split) …which means that though deferred until 2018 it pretty much a busted flush for me already….

So three years later..£10 K lighter and after a storm of personal problems which would sink a battleship I teetering on the edge of giving up entirely.

My pitch now is simple as I have given up on any kind of practice-led fine art PhD degree on the basis that I actually wrote a paper on the fact that it doesn’t exist..read it here…

Grey Ravens Paper

My only hope is a Creative Writing PhD based on Backwater ( fictitious cover above) a new volume of poems drawing together ten years research into the Middle Thames art and writing in the Victorian Era  and possibly beyond. If this could be linked to comic art/graphic novel all the better

That’s it folks!

If there is an academic out there who wants to supervise me writing a first proper volume of poems as practice-led PhD and I get the degree too I will shed out the £12K necessary for academic standards to be met…

(UPDATE June 2018 This option dead – I no longer have the finances)

I HAVE NO CHANCE OF FUNDING AT MY AGE.. the AHRC mantra is ‘Creating the next generation of academics’ so young and pretty go ahead ..if you old and not so pretty get back as Big Bill Broonzy sang…

If not I will write it anyway..spend £2K publishing it myself and probably be a lot happier..

(UPDATE June 2018 This option also dead – I no longer have the finances)

For now the possibilities are rapidly diminishing..

 

All depends of course on whether they accept a creative practice element as a substantial part of submission.

 

Its looking increasingly like the PhD is my Dunkirk…a glorious defeat…

Lost Nottingham – Lost PhD


The painter Cyrill Mann painting the Trent and the now demolished Nottingham City Power Station c. 1939

 

Even the best laid plans can have a fatal flaw.

After a hard year applying I am no nearer a funded or even self-funded PhD with the Thames based ideas.

Apart from the advice that very few PhD funding candidates over 50 now receive funding and if applying try having a sex-change I also came up against another fundamental problem.

I well aware of the pitfalls and problems of so-called ‘practice-led’ Phd study. In fact I wrote a paper on it available

HERE: http://journals.sagepub.com/doi/abs/10.1177/1474022213514548

I also illustrated the great and the good’ take on ‘Artists with Phds’ edited by James Elkins for which I had to read every chapter.

http://www.shaunbelcher.com/artwork/?p=544 

So I more than familiar with the argument that a practice-led fine art Phd is essentially impossible and I would 90% agree.

Most of the submitted fine art practice-led Phds thus far completed have been textual commentary on practice and nowhere do I see art objects which in themselves contain new knowledge as defined by the academy.

It is a fascinating philosophical problem but there it is and it doesnt help gain funding.

Does an art object of itself…a painting..a sculpture or a conceptual installation contain new knowledge which ‘transferrable’ NO..not unless it contains text…which funnily enough graphic novels and comix do :-)….

This brings me neatly to my problem with PhDs. I have spent a fruitless year banging my head against the walls of funded academia. As well as the age and gender problems which make it virtually impossible for a man of my age to succeed in the AHRC rat race for pennies I was pitching what essentially a ‘practice-led’ project at solid academic text-only departments.

This reached its apotheosis in two recent meetings at Nottingham University. One in Geography the other in the English Department. In both cases senior academics were very supportive of all I trying to do and if I wished to self-fund (no longer an option as they say life got in the way) then I could do a historical Cultural Geography Phd no problem.

What I could not get support for and this also happened at Lincoln too ( trad Art History only which ironic in an institution hell bent on destroying trad arts for money making ‘performance’ ends) is get support for a practice-led (poetry/drawing/graphic-novel) whatever the practice it that element that caused a shaky heady…. Traditional academia….i.e. the academy wants a rigorous 80000 words or it a no no.

So new year back to square one. the only way I can see a practice-led PhD with the above caveats succeeding is by part of the PhD being comic/graphic novel and therefore containing the transferrable knowledge. I played with this in a ‘Visual Paper’ (NO TEXT) I delivered at a drawing conference in New York again to a few shaky heads and non-publication in proceedings because ‘no text’ 🙂 That paper available HERE:  http://www.shaunbelcher.com/research/?p=1135 along with animated short.

At this point James Elkins kindly stated that he thought that I had done a PhD level of work in my M.A. for approaching the topic in the way I had but that ain’t the same as a real PhD. So I have got nowhere……

Meanwhile I developing this ‘Backwaters’ research into a smaller non-PhD project or at least placing on the back-burner until things look more hopeful.

Further details of Graphic Art and Comics Research on : http://www.shaunbelcher.com/comicart

 

 

From Track to Backwater

trackcover

In 2010 as my mother was in the final stages of Carcinoid cancer I took a walk down a disused railway line in my hometown that used to run from Didcot to Southampton.

I used it as the beginning of a NTU M.A. in Multimedia. A year later it collapsed and I restarted it as a Fine Art Drawing M.A. instead after she passed away in 2012.

As my mother worsened I continued to visit her and that track and walk it and remember the times I walked and drew it in the early 1990s.

Here is an image from a small sketchbook drawn on the 1st August 1990….I dated everything in those days.

sketch15

 

I however had not forgotten that Track project and always thought it would come back.

 

 

Sweet Thames Run Softly…

thamesbook

bookt

Going back to the source. I grew up near The Thames.

I have written about it for thirty years and now I researching it 🙂
temsbooks

oxnew

Just discovered this so am now looking for a copy..

This also..

taunt

TRACKING TIME: Book or PhD? Or both?

amanesia

Things have moved on considerably in the last few weeks.

I was interviewed for a Horizon CHI (Computer Human Interaction) PhD at Nottingham University two weeks ago. I did well to be shortlisted against stiff and much younger competition (average age 25). From the get go though it obvious that my interests were not aligned with CHI and secondly that I would not be able to work with their new corporate partners. I pitched my application to their older local community arts led model. No point crying over spilt milk….marked the end of my involvement in any kind of contemporary web/internet/computer relatedresearch.

De Capo.

NEW ROUTES:

What it did do was focus me on to what I do have an interest in and this Book proposal and possible PhD more firmly located within the Arts and Humanities area.

Here is a very rough outline of what the book may cover.

 

All dates and ideas provisional in the extreme :

cropped-tracking1.jpg

An original provisional title from 2010

TRACKING TIME; ART, TECHNOLOGY AND UTOPIA IN ENGLAND 1850-1950?

Proposed chapters .
Intro: Chalk Detonators to Concorde – The coming of the railway to the end of the line?
1. Dickens and Seymour. Railways and Illustration

2. Mr Fox Talbot and Mrs Dann: Reading’s First Female Professional Photographer and the Inventor of the calotype process.

3. Alexander Mann and the sequential image.

4. Fairground Kinemas and William Frith – Mapping Oxford a psychogeographical derive

5. Industrial film the art of industry in the Thames Valley – Rural Unions and the Co-Operative movement to Cowley Motors .

6. Rural Idyll: The Oxfordshire Railway Villages and Art Movements Blewbury, Long Wittenham and the Cotswolds.

7. Rural Presses and reactions to Modernism and Technology: Kelmscott, Cockerel Press and Communism.

8. Shooting Europe: The Spitfire Reconnaissance mapping of Germany from Beconsfield Aerodrome.

9. Atoms and Stars: The disintegrating world seen from Harwell and the DNA shuffle.11. Building the 60s Oxford and Abingdon – The Mini and The MG. The patriarchical machine.

Coda . Satellite of Love: Space -race to Boom-bust and the end of empire. Trickle down and the rise of the web..Bletchley Park to Cheltenham. News from Nowhere to News from Everywhere.

 

I also have a facebook page which may come in useful for future crowdfunding if I need to go down that road..or track:-)

https://www.facebook.com/SDBTrackingTime/

 

 

 

 

 

Gnats Again…..a story revisited.

gn1

I am revisiting a paper originally given at the Film Philosophy conference in Amsterdam in 2013.

 

The full paper is available online at Scribd here:

ANAMNESIA: Art, Technology and Modernism in the Thames Valley 1850-1950

Back to where I started..literally…..first thought best thought?

amanesia

This explains where my ‘art research’ has gone…
It not classic ‘design’ art research any more it lies somewhere along the Iain Sinclair/W.G.Sebald/Patrick Keiller line. i.e. A travelogue based exploration of the historic impact of technology on a specific geographical region. I am now working exclusively on this as my ‘written’ output alongside my poetry.
 

I no longer consider myself to be exclusively in the fine art ‘drawing research’ area.

I am now seeking full or part-funding or a receptive institution to help develop this project.

And here my first mention of ANAMNESIA in 2010:

 

© 2018 TRACK: Oxford

Theme by Anders NorenUp ↑