Spent the afternoon in a not too cold studio (it has basic radiators thankfully) as starting to come out of over two weeks of severe chest infection. After looking at the neo-primitives below I thought I’d try black acrylic paint straight to canvas and compare it with other methods. Pencil and chalk, paint this was because I forgot to take some Sharpie pens to the studio. So I could theoretically call this an experimental artefact led methodology although I can only gain ‘qualitative data’. I have posted on facebook so be interesting to see what reaction I get.

I was vaguely thnking of the kind of memory painting Arshile Gorky did (most of his major works refer however subliminally back to his Armenian childhood) but after I’d finished the last piece I realised that today’s news about Hurricane Sandy and the associated imagery had leaked into my sub-conscious. I therefore named the drawing ‘Sandy’.

The smaller image in the gallery of two ‘badges’ is from 1987 and were a couple of examples of laminated drawings that I sold in aid of Greenpeace at my show that year in Hornsey Library. Proving that nothing changes and I was doing Burgerman before he was knee high 🙂

Looking closer other influences which I can see in the drawings include Leger, Mariscal, and Miro all major influences on my late eighties work so it feels like I have somehow carried on from a point then of semi-abstraction before I went more figurative and lost some of my spontaneity. I picked up a book from my library at studio called ‘Arshille Gorky: The Breakthrough Years. Which I will examine along with my present reading. I was heavily influenced by a book I subsequently lost by Harry Rand called Arshile Gorky: the implications of symbols ( I have now found it as paperback on amazon although out of print). The Gorky fascination is not so much in his application of paint but far more the way he created ‘memory symbols’ analogous to Miro. These repetitive symbols came from his childhood. I repeat similar motifs from my past almost like an alphabet and maybe analysing where this came from would be productive. In fact at one point I did try to make a pictorial alphabet of simple symbols. I will try and find the examples I drew. We then stray into both semiotic and literary territory. I will leave the deeper examination of this to the research pages.