No studio diary entries this week as I only made it into studio for an hour. Various work related problems kept me busy and rest of time I was starting new research at home.
My next conference is in Paris in March. It continues the theme I started exploring in Amsterdam Film-Philosophy Conference. This is the role of Victorian magazine illustration (disseminated by the railway) in development of sequential narrative that became film and comic art.
The new blog here: http://www.shaunbelcher.com/rpt
I have separated from this ‘Graphic Research’ blog as although related the focus there is very much on the art historical angle (Frayling’s ‘Research INTO Design’ NOT through or for which this practice-led blog is more concerned with).
I have already discovered a mine of information including original Dickens annotated sketches by his illustrators. My intention is to look at the ‘sequential moment’ and try and establish if the mass circulation of the first Pickwick Paper pamphlet might be a significant milestone in sequential terms.
This I will then relate to the cross-disciplinary proliferation of images and tropes in an attempt to build a firmer picture of what cartoon/drawing, comic and photography actually meant at this time.
I am also looking at the role of technology based on Brian Winston’s political analysis after Raymond Williams.
Here a steel engraving by Phiz from the Pickwick Papers from March 1837.
Scanned image and text by Philip V. Allingham.