WOOFISM and beyond

Category: drawing (Page 2 of 4)

Art Object’s Progress complete

hockers

Have completed the sequence of ‘remashed’ Hockney and Hogarth.

1. In art research new knowledge is believed by some to be contained in the communicable, verbalised exposition of that knowledge NOT in the actual art work.

If this is so is there therefore any new knowledge contained in the actual art work?

If there isn’t then the paper could be said to be the art work NOT the art object itself?

If the paper contains knowledge and is the art work would it therefore require a further exposition i.e. another paper?

Or is there no communicable new knowledge in art research?

Studio Diary: Art Object’s progress image two.

The second image from the Hockney Rake’s Progress parody rebranded as art research.

Already the visual story becoming complex if going to map the version of Hogarth into a research tale! In this image ‘The Inheritance’ the art object ( I calling him/her ‘Muttly’ after R.Mutt signature on the Duchamp urinal) is receiving the inheritance of art research categorisation and theory from Sir Christopher Frayling. Thus ‘in, for and by’ and a litter of papers and books….meanwhile Bruce Archer’s paper is overshadowed and the ‘New Knowledge’ monolith floats over a wobbly map of the UK academic scene:-) Next image is called ‘Meeting the good people’ and will involve three statues and three philosophers.

raketwo

and original

Inheritance

The original sequence of 8 Hogarth pictures here: http://www.soane.org/collections_legacy/the_soane_hogarths/rakes_progress/

Plotting a way forward……off the map?

As my M.A. will finally complete in January 2014 my mind has started to wonder what next? the logical progress would be toward a PhD as teaching seems to be getting more and more vague come September 2014. I will have taught a subject which no longer of great interest to me now (web design) for seven years by then so time for a change. I may move into more research related teaching but this not guaranteed and if so will be in Graphic Design not multimedia which has been deemed to officially not exist by NTU art and design.

Whatever the outcome of that I looking to move forward to a PhD preferably funded. I starting to look into that now in preparation. I doubt that my institution will support me through it for various reasons some political some just resource driven. For now I have a few irons in fire who knows which will be drawn out….here a few options badly delineated.

futres

Studio Diary 30th September: DRN

Well tomorrow 1st October so 22 days to go until DRN New York and finally embarked on the Art Object in search of new knowledge sequence!

muttly

I carefully re-read proposal (read it here http://www.scribd.com/doc/159584262/Drn-Proposal-2013 ) and fortunately I was quite careful about what I had promised. This means that I can just about fulfill promise to create a cartoon sequence but the full paper will have to be completed later (hopefully by M.A. completion date of January 24th). As for the animation I was really setting a high bar there and I think it may well develop separately to the DRN conference.

I have completed the sequence of 16 illustrations of contributors chapters to Elkins book and hope to complete the Elkins chapters after New York from the animation tests. To be honest I only likely to show a few sequences if that at end of presentation.

The project has however come together in my mind. the original ‘Rakes Progress’ by Hockney is a sequence of 16 images about his first trip to New York which dovetails with my first visit too. There however the comparison stops as my sequence whilst using the visual parody of Hockney’s suite of etchings will focus on current art research terminology specifically the idea of ‘New Knowledge’. Here I crossover with Elkins chapter on ‘Beyond research and new knowledge’ in Artist with Phds. To that extent this very much a continuation of investigation begun in previous conference with Frayling paper.

The drawings will mimic the number of Hockney etchings (16 in all) and end up in an art research ‘Bedlam’ 🙂

Here a photo from the studio whilst working on first drawing.

studio

Only 15 to go! Also instead of drawing sequence after writing paper this time I experimenting with drawing first and literally ‘drawing out’ ideas for paper one for practical reasons and two as an experiment which may go dreadfully wrong. It interesting to see how drawing first affects decisions on what to include and structure of final paper. I will give an overview of ideas in presentation as at 20 minutes that roughly one image a minute.

To see original Hockney sequence see here http://www.hockneypictures.com/graphics_rakes_progress/graphics_rakes_01.php

rakey

 

The Research Odyssey update

Have revised the outcomes of the animation/cartoon Odyssey slightly to avoid going mad.

The illustrations for the contributor chapters to Elkins 2nd edition of Artists with PhDs is almost complete. Waiting on final chapters. here one of the illustrations tipped in to previous edition to give a flavour. You have to look really hard to work out which chapter this illustrating!

tippedin

We have revised the editor’s chapters illustrations to be sourced from the final animation for New York DRN which Andrew Love and myself working on at moment. Here Andrew’s test piece using elements from my original visual interpretation of Elkins Chapter 9. On beyond research and new knowledge.

As one of the planets R.Mutt the urinal spaceman visits in paper/animation is planet Elkins this all starts to make sense. Also it do-able in time frame.

It is my intention to have a 20 minute fully voice-overed with music animation completed with accompanying paper (which will be published in DRN conference 2013 Proceedings early next year) by my M.A. completion date on January 24th 2014.

Here test animation using elements form original illustration:

Elkins Chapter 9. On beyond research and new knowledge – original illustration from 2011.

elkinsone

http://recursiveworlds.com/2013/09/18/r-mutt-test-18-09-2013/

More of Andrew’s brilliant work at http://recursiveworlds.com/

DRAWOLOGY exhibition Bonington November

Exhibition: Drawology

Dates: Wednesday 20 November 2013 – Friday 6 December 2013
Time: Monday – Friday, 10 am – 5 pm
Location: Bonington building, Nottingham Trent University, NG1 5LS
Distorted drawing
‘I[who…?]you||you[me]Us’ humhyphenhum 2013 digital still.

 

Drawing is said to have the ability to record both its own making and the movement of the thoughts and body of the drawer.

Drawology brings together the work of several artists with differing practices, it aims to consider whether this premise is applicable to a specific process or genre of drawing or whether it is applicable to drawing generally.

In this respect the works in the exhibition represent an expanded field of contemporary drawing in a Fine Art context to include: works on paper, performance, moving image, installation, projections and three-dimensional drawings. The exhibition is part of a larger research project currently being undertaken by Deborah Harty entitled Drawing is Phenomenology.

Artists include:

  • Shaun Belcher
  • Sian Bowen
  • Rachael Colley
  • David Connearn
  • Paul Fieldsend-Danks
  • Maryclare Foa
  • Paul Gough
  • Joe Graham
  • Deborah Harty
  • Claude Heath
  • Juliet MacDonald
  • Jordan McKenzie
  • Lucy O’Donnell
  • humhyphenhum
  • Bill Prosser
  • Karen Wallis.

Preview

Date: Wednesday 20 November 2013
Time: 6 pm – 8 pm
Venue: The Bonington Gallery, Bonington building

This exhibition is curated and hosted by Bonington Gallery.

 

 

Studio Diary: 8th September. Back to work.

I have been on holiday for two weeks and finally went back to studio to pick up threads today.

Throughout July I was working on illustrations for the second edition of James Elkins’s book ‘Artists and Phds’ due out in 2014 I believe. So far I have completed half of the sixteen or so pictures required. This is a distant shot of the pictures on wall of studio. I do not want to show in greater detail until published. An interesting project especially as one of the chapter authors I worked with was my ex-Dean.

elkinswall

 

I also have received funding to attend the Drawing Research network conference in New York at end of October and now have 8 weeks to complete animated paper on ‘Phd and New Knowledge’! So I going to be more than busy especially with start of new term, new changes at NTU and all….

I also picked up a Blundell haring drawing board in Oxfam which much sturdier than my previous and great for drawing 🙂

challenge_6

 

Studio Diary: 31st July: Ray Howard Jones

Above: Ray Howard Jones at shed in Wales opposite Skomer Island and drawings by SDB

Been a busy time since came back from Amsterdam hardly had chance to sit down in studio.

I have been preparing for a charity music gig which now out of the way ( Black Star Horses at the Maze) for Nottingham Hospitals Charity Prostate Cancer Appeal.

Also been asked for material from 1991 related to a female artist known as Ray Howard Jones who is subject of a retrospective at Tenby Museum with a catalogue written by poet Tony Curtis. I have provided photographs and sketches from a visit I made to Skomer to visit Ray with the Rocket Boys ( David and Jonathan) in August 1991.

The sketchbook can be seen here: http://www.scribd.com/doc/157187608/Skomer-Sketchbook-1991

Here a sample and a couple of pictures Ray herself (aged 89!) outside her tin shed studio..a one off if ever there was one and one of the few accredited female War Artists with works in the Imperial War Museum. A deserved retrospective. Rumour is she changed her name from Rosemary to Ray to avoid sexism in art world. She also spent twenty years living with the wonderful British landscape photographer Ray Moore.

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