10 years pricking the art voodoo doll 2005-2015

Category: art criticism (Page 8 of 8)

BRITART 6 & Sideshow

For me the term Sideshow is more than appropriate. A selection of works that conform to the same academically informed notions of ‘practice’ as those of the main show. Far from being a ‘Brit Art Show’ this selection is a show of ‘Art made in Britain’ within rigorously defined parameters that not only manages to highlight the commercialisation of the British Art School system in the last twenty years (which is dependant on overseas business) but also to exclude virtually (with one or two notable exceptions) all artists in the East Midlands.

Sideshow was conceived as a local response and redress to this but has spectacularly failed to deliver on that count. So what chance that this major event will ‘talk’ to the people of Nottingham and that they will talk back……probably none.

Very good community arts responses in themselves do not mask a wider lack of ambition in this event’s delivery which does not bode well for the future of all the arts (not just an increasingly cliquey and academic minority) e.g. the new CCAN and other projects.

A truly democratic and accessible arts would take note of all strands of art-working practice and all groups. This event talks to itself a bit like the mythical man-on-the-bus and can people be blamed if they choose to vote with their feet rather than being engaged with its ‘strategies’, for sale ‘new-media smart-alecry’ and ‘sense of irony’.

A failed opportunity in my opinion but in a city blighted by lack of genuine support for the arts for many years and a collective lack of self-worth highlighted by laughable comparisons to Barcelona and Berlin not entirely unexpected. It is time Nottingham believed in itself and its artists and became the ‘New Nottingam’ so beloved of the advertising campaigns.

That confidence has been damaged by this event not strengthened and it may take years to repair. It is time to start building from the roots up and not expect the importation of outside artists to trickle down. We have the people here it just means looking to our own strengths rather than elsewhere. Lets have a bit more ‘proud provincialism’ and a bit less ‘international glamour’. Let us stop chasing shadows…….

‘Moogee’

April 2006

The Fake Artist and the Fake Gallery

Here a further response to the Mark Staff Brandl article on sharkforum.org

fake gallery logo

FAKING IT

This article really hits home from the perspective of an ‘ex’ artist, malady future artist struggling to deal with the multiplicity of styles and cliques now infecting the British ‘Body Artistic’. I was a party to the initial infection of ‘oblique strategy’ art through a couple of interviews for Goldsmith’s College of Art here in the late 1980’s ( ironically just before the Brit-Art boom).

I was discarded as being too ‘traditional’ at these interviews and responded by disappearing literally to the countryside where I grew up to complete the supposed ‘reactionary’ art I was accused of. I ceased exhibiting soon after and have led a merry dance around the genres ever since and in fact came across r.d.roth of sharkforum in that dance.

It seemed then and it seems now that a a badly misunderstood ‘mission statement’ based on an outpouring of cobbled together cod philosophy (especially French) actually mattered more than an ability to develop or complete a substantial body of work. This trend has thrived like a virus especially in regard to art-training which has shed all pretence to accomodate ‘skills’ in favour of ‘networking’ and ‘business acumen’.

As an example of how far this trend predominates I recently had a show where I instinctively felt that my actual ‘work’ ( traditional landscape drawings influenced by Paul Nash ) were irrelevant to my audience and in a fit of pique I started drawing on the day of the show a series of sarcastic and irreverant cartoons about the art-world in Nottingham on basis if you can’t beat them join them! I immediately gained attention, viagra some small renumeration and a possible future show……

I feel that I have stumbled into that world the article describes of small pecks at the rhino’s hide in search of my own artistic salvation. I increasingly over last decade and a half admired ‘polymath’ souls such as Butch Hancock (musician/photographer) and anybody operating well away from the main stream especially so-called ‘outsider art’ as they seemed immune to this ‘tainted generation’s’ stylistic morass.

It seems to me that artists have two choices…travel to Rome and adopt the clothes of the conquerer’s and become ‘curators’ or walk to the furthest edges and break down fences that border the still wild and unexplored possibly with multiple personas….Pessoa comes to mind and in his spirit I have invented any number of ‘Fake’ musicians and artists recently….indeed to the point where I declared myself a ‘Fake Gallery‘and declared my various ‘styles’ separate personas…

Only in fakery did I become real…

Fake Gallery

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