Bacon and hash….

Comment on Jonathan Jones blog entry ‘Francis Bacon: The man’s a bloody genius’

I was so dazzled by both the myth and the man that I tried to be him for a brief few years in 1980’s before the fever lifted. I’d agree that he not better than Matisse or Picasso that a given ..I’d also add not as good as Braque whose interiors have a similar constrictive space.

What I loved then and still love whilst not being as mad keen on the actual works ( Kossoff and Auerbach have more essential ‘positive’ humanity in my opinion) is the fact that he lived and breathed painting and nothing conference meetings. no academic puff, no phd madness…just art.

In my opinion Bacon and School of London will still be there on the art world timeline in 100 years time long after the fin-de-siecle speculators wet dream of YBA and Brit art has been erased totally.

NOTHING and I mean nothing produced by a ‘British’ artist since 1988 can come close in quality, depth and essential ‘meaning’ to Bacon. He was not the catalyst for these pretenders to throne he was their nemesis..they were beaten before they started.

Hirst recently praised Bacon ( a sixth-former’s reading will lead inevitably to the flies…oh the horror, the horror) but dismissed Auerbach showing that he knows no more about painting now than when he painted a cat all those years ago…Hirst cannot paint any more than Jade Goody could have been a conceptual artist (although who would say she not more savvy than Emin?). To hint at Goya, Schiele and Bacon as precursors shows the so called geniuses of Brit Art way out of their depth.

Bacon is a triumph and stands alongside them rightly and the Tate show will prove that. What we have to endure in the Tate Modern as representative of British Art since does not..time to paint out that horrible starbucks hoarding of artists signatures or at very least remove a few ‘pretenders to the throne’.

In sequence…Picasso, Braque, Matisse, Bacon…..yes….

Picasso, Braque, Matisee, Bacon, Hirst, Emin, and Opie for god’s sake…

‘Yer having a laugh Nicky baby’?

wine with your fries?

Published by

Shaun Belcher

Contemporary art critic

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