A response to a Jonathan Jones blog entry on the Guardian website
A generation of lo-fi subversives may finally have found something to be lo-fi and subversive about. After all, Hirst, Whiteread and their generation found their striking voices at a moment of recession.
The artists who think like this are kidding themselves.
Thankyou JJ I am pleased if I dumped in the ‘Lo-Fi’ bin with all the rest….sadly you utterly wrong because as an urban white middle class professional you cannot see past the ring-fence that been in operation for the past twenty years and which the ‘revolutionary joy’ about which you complain actually directed at….put simply I live and have lived outside that area for most of my life until now…ironically…you have no knowledge or experience of that so how could you comment or are you thinking of the shallow subversives of our modern art schools as they the only ones you ever met?
see Nick Cohen on this factor here..
as he says..
In general, though, literary writers and filmmakers (AND ARTISTS/CRITICS my addition!) had little interest in deprivation and wealth, and failed to see the connections between the two. Raised in public-sector families, educated in universities and working in academia, they were the artistic equivalents of Westminster’s political class: narrow professionals with few experiences of life beyond their trade. No writer is obliged to write a state-of-England novel, but so few wanted to that the critic DJ Taylor complained in 2007 of “the fatal detachment of the modern ‘literary’ writer from the society that he or she presumes to reflect”.
Two generations of artists were as badly damaged as they were helped by the art market YBA years…..one of my best friends actually committed suicide because of it because of the depression of trying to survive with skills in a market which dumped those values and rode the stock market instead…..money and trash made good bedfellows …
So I found my subversive voice now have I??…sorry wrong again.
I like some others have been subversive since day I left Hornsey back in 1981…..I and others like me walked away and turned our backs on this parade of Goldsmiths driven rubbish and were ignored or worse pitied for our opposition.
There is no glee in my heart at all just a sad realisation that not only real lives but art school ethics and skills training has been dumped along with the giant YBA baby……Hirst was a giant Cuckoo in a very small nest who managed to distort a difficult occupation into an impossible one…now a lot of magpies, rooks and ravens are coming home to roost….they will pick a lot of corpses bare not just Hirsts….
Yesterday by some quirk of nature I found myself cheek by jowel with Mr Saatchi along with a dear friend who has been painting brilliantly in a council flat with no support from state or bankers for 30 years…..it was a strange moment to be caught between the devil and the deep blue sea of real artistic talent…..I know which knew more about art….
The only difference between them was about a few million pounds…..I have no doubt Mr.S believes he right and doing good for artists…I do not think he was right and the period of YBA you identify RIP YBA 1991 – 2007 is just another lazy soundbite piece of journalism…. the rot had set in way before and the damage will last far longer and goes far deeper than you realise…
Does this matter in face of mass poverty and recession probably not…..make hay while the sun still shines for its going to be a bitterly cold year in all the arts….I take no joy at all in any of this….
In fact I trying to rebuild from ground zero like a lot of others……the view from the ivory tower is over….