Disappearing Paintings March 2016

I painted these three canvases after Spectrum paints very kindly sent me some new tubes of oil paint. Sadly my ground wasn’t suitable and the linseed leaked into the support discolouring the painting. I painted over. However I am re-painting the main and to my mind most successful image below.
new1

new2

Digital Drawings February 2016

Three Large Canvases April-May 2015

New Paintings April 2015

Six Drawings April 2015

Chalk and Watercolour Drawings March 2015

Painting 1985 + 2015 – Nothing Changes

abstracts

1984 London

 

wps

 

1985-8 London abstract work used as covers for The Weather Prophets band.

walpaint2015 something remarkably similar on the wall of my studio……plus ca change…

 

Nottingham Open 2015

These the only three pieces of work this year and they were all submitted.

The selectors took the two drawings..have to work harder on paintings 🙂

The full list of exhibitors here: http://nottinghamcastleopen.com/

 

shaunbelcher_blamo

shaunbelcher_pastoralshaunbelcher_mod

July 2014: Optimism – back in studio painting

coloured

Here the first coloured drawing from a couple of weeks back and a new three part 12′ x 4′ canvas.

trio

 

This connects directly with my mid to late 1980’s work…..especially the Record Sleeve paintings.

http://www.shaunbelcher.com/painting/

Plus ca change…

12rain

Two canvases – Lady Bay May 2014

 

newart'Punky' 2014 Acrylic on Canvas 24" x 24" £300

These two canvases were painted in may last year before the Lady Bay ‘Moogee’ show. They were shown but in a hallway but many people may have missed them.

I did not put online at time as they been at my friend Stephe’s from last May until recently. I forgot about them when I submitted to the Open. They may indicate where I headed in the new sequence I will be working on for this year’s Lady Bay show. Again it will be at 117 Holme Road 🙂

newart2'Paradise' 24" x 24" Acrylic on Canvas 2014    £300

‘Back to the Red Barn’ – Uncollected works

 

barn

Red Barn 2005 watercolour and pencil on paper 24" x 36" £200

I have just completed a complete archive of work from 1975-2000. 25 years of strange stuff indeed. In the process I found some images that had slipped the net when creating this current catalogue so here they are.

Here a watercolour form 2005 and two drawings from Egerton Studio in 2004.

All work on this blog is for sale.

Please use the contact email if interested or contact me through social media.

survey'Youlgreave' Watercolour and pencil on paper 24" x 36" £200

Summer 2014: Painting and Drawing – Nottingham Open

 

These two drawings were accepted and shown in the Nottingham Open 2014. These two pieces  were easily selected for my submission because they along with the large three part canvas below were the ONLY three pieces of work I completed in 2014.

walpaint

DRN Conference New York October 2013 – Hockney Revisited

Drawing Research Conference 2012 -Loughborough – Moogee V Frayling

New Moogee 2012: Modern Art School and Modern Art World

Cartoony Drawings 2007

tractor

 

The Fake Gallery 2006

 

 

 

 

 

 

In response to some early debate on Sharkforum Chicago I played around with multiple identities and created my own ‘Fake’ gallery which showed various ‘personas’ artworks in different styles – all mine ( a bit like an artistic Pessoa 🙂

The Fake Artist and the Fake Gallery

Posted on seek 2006

 

Here a further response to the Mark Staff Brandl article on sharkforum.org

FAKING IT

This article really hits home from the perspective of an ‘ex’ artist, future artist struggling to deal with the multiplicity of styles and cliques now infecting the British ‘Body Artistic’. I was a party to the initial infection of ‘oblique strategy’ art through a couple of interviews for Goldsmith’s College of Art here in the late 1980?s ( ironically just before the Brit-Art boom).

I was discarded as being too ‘traditional’ at these interviews and responded by disappearing literally to the countryside where I grew up to complete the supposed ‘reactionary’ art I was accused of. I ceased exhibiting soon after and have led a merry dance around the genres ever since and in fact came across r.d.roth of sharkforum in that dance.

It seemed then and it seems now that a a badly misunderstood ‘mission statement’ based on an outpouring of cobbled together cod philosophy (especially French) actually mattered more than an ability to develop or complete a substantial body of work. This trend has thrived like a virus especially in regard to art-training which has shed all pretence to accomodate ‘skills’ in favour of ‘networking’ and ‘business acumen’.

As an example of how far this trend predominates I recently had a show where I instinctively felt that my actual ‘work’ ( traditional landscape drawings influenced by Paul Nash ) were irrelevant to my audience and in a fit of pique I started drawing on the day of the show a series of sarcastic and irreverant cartoons about the art-world in Nottingham on basis if you can’t beat them join them! I immediately gained attention, some small renumeration and a possible future show……

I feel that I have stumbled into that world the article describes of small pecks at the rhino’s hide in search of my own artistic salvation. I increasingly over last decade and a half admired ‘polymath’ souls such as Butch Hancock (musician/photographer) and anybody operating well away from the main stream especially so-called ‘outsider art’ as they seemed immune to this ‘tainted generation’s’ stylistic morass.

It seems to me that artists have two choices…travel to Rome and adopt the clothes of the conquerer’s and become ‘curators’ or walk to the furthest edges and break down fences that border the still wild and unexplored possibly with multiple personas….Pessoa comes to mind and in his spirit I have invented any number of ‘Fake’ musicians and artists recently….indeed to the point where I declared myself a ‘Fake Gallery‘and declared my various ‘styles’ separate personas…

Only in fakery did I become real…