DAVE BURRIS : two stories

FunpaRk

 

Way back when I was seven my Mom yelled at me for getting this little white cardigan sweater dirty.

You see, last summer, me and all my brothers and my Mom and a photographer woman named Marina and her helper Mindy and Dennis from the record company and our manager

( Dad) went to the Pacific Grove Fun Park so they could take pictures of us playing around and riding the rides. We got up real early in the morning before the sun had even come up and piled into this van and drove from our house over the hills, through Hollywood, and down to the Fun Park. It can be kind of chilly in the morning so I wore my favorite little white cardigan named Bud. I named a lot of my clothes back when I was seven. The ones that still fit all have the same names but the new stuff I got is all nameless. I wonder if my new clothes have an inferiority complex about it? I know all about inferiority complexes because my brother Allen has one. He can’t sing as well as the rest of us so he has an inferiority complex. That’s what my brother Donny says.

Donny’s the oldest and writes a lot of our songs. I heard him arguing with our manager (Dad) about how he didn’t have his name on our last single as a being the one who wrote the song. Our manager (Dad) kept telling him to shut up and quit being a brat. I went out in the yard and played with my gremlins so I don’t know who won the argument. I know who was right though. Donny was.

I was bugging Donny the day he wrote that song and wouldn’t get out of his room so he yelled at me. Later on when he finished it he felt bad (I guess) for yelling at me and took me into his room and sang it for me. I loved it. It’s my favorite song we sing (I think) because of that. I sort of feel like the song is a secret.

When we got to the Pacific Grove Fun Park the sky was just about to change from grape to blueberry. It was a Monday and the park was closed but this old man named Seymour opened it up for us and took us on all the rides. He smelled like this old wine bottle Donny used as an ashtray in the garage where we rehearse. Marina took pictures of us playing and Mindy put film in all the cameras and Mom kept licking her hand and trying to keep my hair from sticking up and Dennis bit his fingernails and smoked cigarettes and our manager (Dad) yelled at us to look like we were having more fun. I was having a lot of fun so I didn’t have to pretend but Davy was 18 and Mike was 17 so they had to do a lot of pretending. Donny’s almost 21 but he was having more fun than anyone. His eyes were big and round and he laughed a lot. He laughed so much he cried. About a month before we went to the Fun Park we did this t.v. show and I got to tap dance with Buddy Ebsen. Donny laughed the same way then. Mom got mad at him both times. I don’t know why.

I love my Mom. She sings with us most of the time and I think she probably has the prettiest voice of all of us. Except for maybe Chris. Chris is eleven and his voice hasn’t changed yet and he sings kind of like a girl. The other guys make fun of him for it but they all know he has the most beautiful voice. Donny writes a lot of the main vocal parts for Chris. Dennis and our manager (Dad) are worried about when his voice changes. Donny tells them that’s when I become the star. But I don’t want to be the star. I just want to be a little girl. Maybe I’ll start pretending I can’t sing.

My little white cardigan, Bud, got really dirty that day. Mom got mad at me and said that it would look bad to all the little girls in America that I had on a dirty sweater. She said I had to set a good example for them. I understood what she meant but I told her that I thought all the little girls in America got their clothes dirty when they played so wouldn’t they like it when they saw that I did too? Dennis from the record company heard me and told my Mom I was a marketing genius. My Mom just shook her head. Donny kept laughing.

That was a long time ago. I’m eight now and everything is different. Chris’ voice changed but he still sings beautifully so I don’t have to be the star. Allen has gotten really good on the organ and the piano so he doesn’t care so much about his inferiority complex. Donny has started hanging out with one of the Beach Boys and they both seem to laugh a lot. Our manager (Dad) died. Mom says his heart just gave out.

Dennis sent us the cover for the single where they used a picture from that day at the Pacific Grove Fun Park. I’m in the very front and you can definitely see how dirty my sweater, Bud, is. I was worried Mom would be mad at me again when she saw the picture but she wasn’t. She looked at the picture for a minute and then started to cry a little bit. She kissed me on the forehead and said, ‘Yes, you were right Claire. I think all the little girls will love your dirty sweater.’

 

 

i miss you

 

Today while fumbling around the kitchen and spilling the coffee grounds over the counter, knocking over the milk, and dropping my cigarette on the cat I remembered how you’d sit bleary-eyed at the dining room table and howl with laughter at my clumsiness as if you were using the door frame between the two rooms as a camera frame and you were Mack Sennett directing Chaplin. You told me once that that is what you were doing and it sticks in my head as sadly terrible because you never had the chance to put that lovely way of looking at other people’s awkwardness and self-reflected irritation on film yourself. I think maybe you were too patient. It might have been a sort of arrogance - a belief that you had all the time in the world because someone with your talent had to have been placed here for a reason, for some divine purpose, to fulfill some ultimate destiny.

I would finally gather myself out of those thick, hungover mornings and come sit with you at the table and stare at you and think how lucky I was to have you to love me, and how lucky I was to have you to love. And how lucky you were to have me to tell what to do and how to do it because you certainly couldn’t tell yourself those things and if you could you wouldn’t have listened anyway. I’m not sure you were aware of it but you were never wrong. You’d run your mouth in what seemed like a never ending stream of invective and directive and pure hilarity and I don’t think you ever mis-spoke. I’d laugh and laugh and argue and pretend to not believe your stories about your family and pretend to mock your worldview and try to dissect your opinions but inside I knew you spoke nothing, nothing, nothing but the truth. So I listened to you and you listened to me and in some miraculous way we’d move forward and sideways and up and down and we’d just move because I used to tell you that if I ever stopped moving I would die, like a shark. You pulled me to you one weirdly warm winter night here in Memphis and told me you’d never let me stop moving, you’d never let me die. And you didn’t. I’m still here, fumbling around the kitchen, spilling coffee grounds on the counter, knocking over the milk and dropping my cigarettes on the cat. But you’re not sitting at the table laughing at me. Although sometimes I’m sure that you are. I half expect to walk through the doorway and see you there in the dirty, wrinkled suit you had slept in the night before, crying with laughter and calling me over to kiss my boo-boos.

My boo-boos go very much un-kissed now.

I guess it might take more than a couple of years for someone to really disappear. Sitting here today it occurs to me that I may now remember the photographs better than I remember you. The caffeine brings clarity and sharpens up the feelings that were knocked loose by the alcohol last night and I won’t allow myself the quiet resignation of feeling strange about going out and getting unrepentantly, foolishly, desperately, unhappily drunk all by my sad, little lonesome self. Twice in the last two years. I’m pretty sure you would allow me that one indulgence.

For old time’s sake?

I went to the P&H early and it was a Thursday night so all our old theater friends were there. Wanda was behind the bar and I felt a little guilty because before she saw me she was buoyant and giddy and beautiful in that big Wanda kind of way. Talking with, flirting with, encouraging and berating the actors and would-be actors and writers and would-be writers. Cracking open cans of PBR, pulling pitchers of Budweiser, and challenging really skinny people to eat her Chili-cheese fries. No matter how smoky or loud or sour the P&H got Wanda was always the Belle of Ball on those nights. She looked up at the room as I walked across it and her face changed abruptly and she started to cry. Everyone at the bar looked over at me and then quickly looked away.

I didn’t stay long. Long enough for Wanda to buy me a couple of rounds and tell me she always knew you wouldn’t be around for too long. You were too even-tempered, too even-keeled for your talent. Eventually something would give and you’d simply break up and wash away with it.

Which you did.

I vaguely remember some drunken night (after Wanda told me that Chris Bell still haunted the turn where he died on Jackson Ave. and that if you stood alone at the exact spot you’d hear him whisper "I Am the Cosmos" in your ear) when I was stretched out on the pool table in the back with my eyes closed, refusing to get up until all my songs were played on the jukebox. Wanda came over and sat back on the other table and told me I had to promise to keep an eye an you. She told me how good you were and how nice you were and how clever you were and that there were nasty little spirits who were jealous of you and that they would wait for an opening and seize their moment and take you away. So I hurriedly said ‘ I promise’ because Nanci Griffith’s version of Townes Van Zant’s "Tecumseh Valley" was coming on and I wanted to get myself ready to cry my eyes out because of it. My crying would always pull you away from your swearing contests with Marty the bartender and it did that night and you came over and held me and for some reason I cried even harder than usual because I knew Wanda was right and I was scared I wouldn’t be able to do anything about it no matter how hard I tried to watch out for you.

Six months after that night you were just about ready to finally give in to Rachel’s pleas to move to L.A. so she could get you in front of the right people whenever she needed to. I think I actually kicked you in the knee upstairs at Ernestine and Hazel’s when you went on and on about how your muse was in Memphis and that you wouldn’t be able to write in L.A. and if you actually got a chance to direct out there those Hollywood actors wouldn’t listen to you anyway except for the dumb girly ones who would just want to sleep with you and that I’d change if we went out there and would end up sleeping with some young actor you were working with or somebody and how there was no way I’d ever find a jukebox with the right songs on it and that if I did there wasn’t any bartender who’d let me lie down on the pool table and cry about it. For some reason that night I wasn’t amused and didn’t feel enlightened by your words of wisdom and I think for the first time in five years together I heard in your voice a wavering in tone and delivery that made it seem like you were spitting out cold yellow pieces of fear and anxiety and uncertainty like bile. Like you had swallowed something that shouldn’t have ever been swallowed.

So I kicked you in the knee.

You stared at me like you didn’t recognize yourself for one sharp, dark second and then laughed as you hopped over to the piano and played about six seconds of that Chopin Prelude that you loved so much. Stopping abruptly you reached up and grabbed someone else’s drink and downed it and looked at me with a very confused expression. Then you got up, hopped down the hall past all the rooms the prostitutes used when the place was still a brothel, fell down the stairs and landed on top of some banker. I apologized to the guy and picked you up when you bolted for the door. You waited at the car for me to catch up and we drove down Main past the building where James Earl Ray fired the shots and you screamed "redneck ****-head" out the window at the top of your lungs.

We drove down to the river and took a blanket down to the edge of the water and spread it out. Between pulls off a bottle of Jameson we kissed and laughed and hugged and cried a little bit and slapped at mosquitos and stubbornly avoided talking about how we both felt like there was a foul, little change, blurry because of the booze, waiting just outside of our field of vision in the dark and that even in the sober light of day it would be no more visible because it would be waiting for us in closets and under beds and in the backseats of our cars and unlike the changes that we had both faced together and alone this one actively disliked us. Disliked you for your humour and your gentleness and your sweetness and your righteous anger and your brilliance and your patience and your sadness and your clear, quick love of me. And It turned around and disliked me for loving all of you right back at you. It was jealous. Like Wanda said.

So rather than keep an eye on you or protect you like I promised, I fell asleep as you hugged me hard and whispered for me to fall asleep fast so we could wake up sober and strong and beat the shit out of whatever ugly, jealous little thing had started following us around. When I woke up you were long gone. Your socks and shoes at the edge of the grass, footprints in the mud heading straight out to the Mississippi. But only one set.

Today I sit by myself in the dining room and look across at your chair and wonder how it is that the slight shade of who you were still lingers there. Leaning face down on the table. Laughing hysterically at my clumsiness.

 

© dave burris 2000